1Preface; My Purpose; My Title to Write On the Art of Song
2Section 1 Preliminary Practice
34Section 3: of the Breath and Whirling Currents
5Section 4: the Singer's Physiological Studies
6Section 5: Equalizing the Voice - Form
7Section 6: the Attack and the Vowels - Part 1
8Section 6: the Attack and the Vowels - Part 2
9Sections 7-8: Nasal Singing; the Head Voice - Part 1
10Sections 7-8: Nasal Singing; the Head Voice - Part 2
11Sections 9-12: Sensations of Tongue, Nose, Palate and Resonance of Head Cavities
12Sections 13-14: On Vocal Registers; Development and Equalization - Part 1
13Sections 13-14: On Vocal Registers; Development and Equalization - Part 2
14Sections 15-16: White Voices; Theodor Wachtel
15Section 17: Highest Head Tones
16Sections 18-19: the Tremolo; the Cure
17Sections 20-21: the Tongue; Preparations for Singing
18Sections 22-24: Position of the Mouth; Connection of Vowels; the Lips - Part 1
19Sections 22-24: Position of the Mouth; Connection of Vowels; the Lips - Part 2
20Sections 25-27: the Vowel Sound Ah; Italian and German; Auxiliary Vowels - Part 1
21Sections 25-27: the Vowel Sound Ah; Italian and German; Auxiliary Vowels - Part 2
22Sections 28-30: Resonant Consonants; Practical Exercises; the Great Scale - Part 1
23Sections 28-30: Resonant Consonants; Practical Exercises; the Great Scale - Part 2
24Sections 31-32: Velocity; Trill
25Section 33: How to Hold One's Self When Practicing
26Section 34: Pronunciation - Consonants - Part 1
27Section 34: Pronunciation - Consonants - Part 2
28Section 34: Pronunciation - Consonants - Part 3
29Section 34: Pronunciation - Consonants - Part 4
30Sections 35-36: Concerning Expression; Before the Public
31Sections 37-38 and Note: Interpretation; in Conclusion; Remedy for Catarrh and Hoarseness Part 1
32Sections 37-38 and Note: Interpretation; in Conclusion; Remedy for Catarrh and Hoarseness Part 2
℗© 2012 Lifeline Audio Books